He was the only one who dozed off at the Golden Horse Awards. When he woke up, he defeated Bo Huang and Takeshi Kaneshiro and won the Best Actor.

Too sudden.

The actor Tu Men, who won the Golden Horse Award for "The Old Beast", died of esophageal cancer at 3: 50 am (December 12) at the age of 61.

Jia Zhangke, Huang Xuan and Kara Wai lamented that cooperation was not long ago.

Hearing the name, you may not be able to match his face.

But there are always a few of these characters that will surprise you.

Oh, it’s him.

His role basically falls into two categories:

Overlord.

He is Zuo Lengchan in CCTV’s the legendary swordsman, Genghis Khan in A Generation of Tianjiao Genghis Khan and Khan in Wang Zhaojun.

Stubborn old man.

He is the father who fought against death in Farewell, the wild "old bastard" in Old Beast, and the father-in-law who loves his daughter in Wuhai.

Good acting, stubborn temper and low profile.

This is everyone’s impression of him.

In the past few years after winning the prize, he has received more attention, and there are several new films to be shown.

Just when we were expecting his acting career to enter another peak, we didn’t expect him to suddenly leave.

Today, in this article, we miss the indelible roles left by Tu people.

Tu people once introduced themselves like this:

"My name is Tumen, and I am a muddled person who has no deeper thoughts."

This abbreviation is actually because his full name of Ewenki is too long.

You can tell from the name that this person is rebellious and exemplary.

Born into an intellectual family in Hulunbeier in 1960, Tumen was admitted to the Chinese Department of Inner Mongolia University.

At that time, it was more difficult to get into college than to get into heaven. Because of his longing for Shanghai, he resolutely went to Shanghai Theatre Academy under the fierce opposition of his family.

Rushed out of the grassland.

But the ties of his hometown always call him.

In 1985, in his junior year, he was selected by the cast of Genghis Khan and enthusiastically played the general under Genghis Khan.

Since then, it has been out of control, from Genghis Khan to Jieli Khan, and he has been a "grassland king" for quite a while.

Why do you always choose tu men?

Because as soon as he plays, the audience will be convinced.

Mongolian man with standard appearance grew up on horseback.

In "Sad Brooke", this classic scene:

A hip flask, throw it at once and take turns drinking.

I finally had a good time.

In order to create a wild grassland man, Balai, he really wants to drink while filming.

Riding a horse "drunk driving":

At that time, we started drinking white wine when we arrived at the set in the morning, walked around the grass, chatted and finished drinking, and started shooting in the afternoon when the light was good. I went to run the route first to see if there were any rat holes and marmot holes in case the horse slipped. Before I got on the horse, I drank half a bottle of 60-degree white wine.

Taking this role, Tu won the collective performance award of the 16th Golden Rooster Award and the nomination of best supporting actor in Southeast Asia International Film Festival.

This powerful aura spread to later films.

In "Old Beast", Tumen rode the electric car out of Harley’s imposing manner.

I am a person who can ride a horse, and we also pay attention to the posture of riding a horse. From an early age, we knew which one was ugly and which one was really handsome. Whether it’s an electric car or a bicycle, riding any car has a posture. The old beast’s electric car is too small. After I got on it, it was a little bit uncoordinated and my legs couldn’t stretch straight. It can only be like this. There is no horse to ride, and there is no Harley to ride.

If he is heroic and domineering, it is a gift given to him by the nation.

So being good at multiple languages will make Tu people make their own way in "rough" and "wild".

Tumen are proficient in four languages: Ewenki, Daur, Mandarin and Mongolian.

Degena said that Tu’s lines were too clear. When filming Farewell, he asked Tu to speak less standard Mandarin, and he didn’t feel like an old Mongolian (the role was Mongolian).

Old beast is a new name for 57-year-old Tumen.

But the earlier transformation began with Degena’s Farewell.

Degena’s father, Saif, is the director of Sad Brook and Genghis Khan, and a close friend of Tumen for many years.

Farewell is Degena’s adaptation based on the real events of himself and his father.

Tumen said that taking the play was "a disaster."

He played an all-powerful hero for half his life.

The first time I entered a realistic film, I wanted to play my dead old friend.

So well-known mentor, to play him, according to his manners and tone, his mind is full of him, but he is gone.

-Interview with Tumen: When the Old Beast Tears.

In order to perform the role in chemotherapy.

I didn’t use makeup or styling, but shaved my hair and eyebrows.

△ Tu were nominated for the Best Actor Award in the 9th FIRST Youth Film Exhibition.

The performance of Farewell is as deep as water.

The degree of "Old Beast" is particularly strong.

"’Lao Yang’ is a clown, swearing when he opens his mouth, and he is an’ old bastard’. "

How to find the feeling of the characters?

He has been filming for 23 days without a script.

Disrespect for the role? Or did you recite all the lines?

The shaping of characters is done before shooting, not after shooting, and this character has already entered my body before shooting.

"Has entered the role" is not a polite word.

He no longer "plays" the role because he is the role itself.

After meeting Zhou Ziyang for the first time, Tu people saw him off, passed by the canteen, took something at hand, and ate while walking without paying.

When the boarding pass was changed at the airport, Tu took the director’s ID card and went straight to the front of the line.

Instead of cutting in line, the Tumen patted the front passenger on the shoulder. "I don’t have any luggage. I’m in a hurry. Can I come first?"

Because-"Lao Yang never lines up."

Outside the film, there is a deep understanding of Tu’s immersion in the role. In the film, there is the multi-level and complexity of Lao Yang’s image.

Some people are disrespectful for the elderly, eating, drinking, whoring and gambling, and misappropriating the wife’s life-saving surgery expenses.

There is stubbornness in bringing the unfilial son who kidnapped him to court, and loneliness and sadness abandoned by the times.

In and out of the play, the Tu people are careful about the roles.

The award that everyone admires is very weak.

In the top film event, during the golden horse award presentation, everyone else is personable and bright-eyed.

He was the only one who couldn’t bear it and dozed off …

Woke up, defeated Bo Huang, Takeshi Kaneshiro and other big names, and took the best actor.

I also humbly said that I didn’t encounter any difficulties in filming, and it was "good luck" to win prizes.

He is also sober and indifferent to the admiration that has poured in:

In the past, all the princes and nobles came to you. After you played Farewell, all the cancer patients came to you. You played Old Beast, and all the old bastards came to you …

At this time, the Tu people had greater ambitions.

Be a director and make a movie.

He produced Hulunbeier City, a film about the Ewenki people’s "death and survival", which became an extension of the national blood.

Men responded to the call to fight, and the old, weak, women and children left behind went through the test of life and death, and reproduction became the biggest crisis of Ewenki nationality.

The man in this grassland is also very "grassland" in the way of filming.

He knows how to fear nature.

Everything is animistic. We went to the grassland. No matter from the mode of production or the way of life, I may have to go a long way to see you. I can only see you for at least eight hours, and I may pass by your house once every two days. I have to resist the cold and live in harmony with nature, so that the feelings between people will be more prominent on the grassland.

Jinma’s doze was because he was filming the director’s debut film Hulunbeier City.

He is waiting for a real snowstorm.

Because there will be the only snowstorm in the whole year the next day, if you don’t shoot, you will miss it.

Blowers don’t work so well.

Others think that he is just playing with tickets and can only shoot ethnic themes.

But later, he dabbled in the rivers and lakes of pleasure and enmity, filmed "Heaven is Unforgettable", and was also shortlisted for Pingyao this year.

Have your own movie.

Being an actor is not idle, and the cooperation is basically young directors:

The Last Truth directed by Li Taige and Happy Travel directed by Liang Ming.

Just last month, in the variety show "Director’s Advice", Tu also appeared in Wu Zhongtian’s "Sale", playing a father who is waiting for an enemy to come to the door.

He still looks energetic and vigorous, and discusses the play with the director meticulously.

Stepping into old age, I am still full of courage and running on the road day and night.

But this old horse won’t stop.

But suddenly fell down in the running.

Unfortunately.

But perhaps, it doesn’t matter how many roads you can catch in the end. What’s important is that this is the gesture that Ma was born with.

Sir is willing to believe that this "old beast" has not fallen.

He must still be somewhere, continuing to fly and never stopping.

All around, there is no one.

The picture in this article comes from the Internet.

Editor’s Assistant: North of Xibei