南京高端外卖工作室

　　Nanning Evening News (Reporter Pan Guowu correspondent Huang Kaiwen) An education and training institution in Nanning was punished for publishing short video advertisements on a social platform in the name of beneficiaries. Yesterday, the reporter learned from the professional market branch of Nanning Municipal Market Supervision Administration that this training institution violated the provisions of the advertising law, was ordered to rectify and was fined 2,000 yuan. It is understood that this is the first case in Guangxi in which illegal advertisements for short videos published by social platforms were investigated.

　　An education and training institution in Nanning released a short video advertisement on a social platform in order to improve its popularity and show its educational and training strength to the audience. The law enforcement officers of the Professional Market Branch of Nanning Municipal Market Supervision Administration introduced that the advertisement content showed screenshots of the WeChat chat records of the trainees and the training teachers after taking the civil service examination. There is "89.1 points!" in the screenshot "Awesome, it is right to choose ×× (name of training institution)!" Wait for the content.

　　On July 16th, according to the information obtained, law enforcement officers found that the students appearing in the short video advertisements published by a social platform were all the beneficiaries who obtained good results in the recruitment of civil servants, teachers or institutions after participating in the training of this education and training institution.

　　Law enforcement officials said that the practice of this education and training institution in Nanning has violated the relevant provisions of the advertising law. At present, the professional market branch of Nanning Municipal Market Supervision Administration has ordered this education and training institution to correct its illegal behavior and impose a fine of 2,000 yuan.

　　It is understood that this is the first case in Guangxi in which illegal advertisements for short videos published by social platforms were investigated. The relevant person in charge of Nanning Municipal Market Supervision Administration said that the next step will be to strengthen industry education, guide market participants to enhance their awareness of law-abiding, and urge market participants to study advertising laws and regulations in depth to ensure correct advertising orientation and legal content.

Hyun Bin

　 　 1905 movie network news Hyun Bin’s agency recently revealed that Hyun Bin has decided to join the new Korean film "Joint Investigation" (tentative name), which is produced by Je-gyun Yun, and it is also Hyun Bin’s return to the big screen after two years in 2014.

　 　 "Joint Investigation" tells the story of the first informal cooperation between the police of North Korea and South Korea to conduct a joint investigation, and the production cost is as high as 10 billion won. The film is also an ambitious work prepared by JK FILM, the production company of International Market, for four years, and it is a highly anticipated action blockbuster.

　 　 Hyun Bin will play the role of Ren Zheling, the North Korean criminal police, and will challenge the North Korean dialect and high-intensity action drama.

　 　 The Joint Investigation will be launched in the first half of 2016.

Recently, Shen Teng’s Moon Man was released, which is a film in which he returned to starring after The Richest Man in Xihong City. However, after the release of Moon Man, everyone gave mixed comments on the film. Throughout the comedies from the past to the present, Xiaogang Feng, Xú Zhēng, Stephen Chow and Shen Teng each represented a different stage of comedy. Almost every out-of-the-loop work is not just a superficial form of happiness, but a "grounding gas". Through this new film, this paper takes you back to see the development and changes of comedy.

author　| Sha Mi Lu

read and edit　| Time

edit　| Peninsula

source　| Yinke Aesthetics

Not long ago, Moon Man, a comedy film by Shen Teng, a military art school, came to the big screen. This is a film in which he returned to star after The Richest Man in Xihong City.

In this issue, Xiaoyin takes a look back at the development and changes of comedy through this new film.

The polarization of Teng’s comedy criticism?

After the release of Moon Man, people gave different comments on the film.

Some people call itMars Rescue, The Truman Show, The Wandering EarthSome people also commented that it has become a "drama".

This film continues his previous work."Little people counterattack" attribute, but it played down the original "bad" for the little people.

In Shen Teng’s previous works, little people always have "bad roots".

For example, after crossing back, the protagonist of goodbye mr. loser chose to steal works to make himself famous. For example, Wang Duoyu of "The Richest Man in Xihong City" did not hesitate to deceive everyone for billions of property.

But in the end, they always finish it.Self-attack.

Moon Man is no exception, but here, the hero.No longer wait until the end to complete self-sublimation.

In this romantic comedy, the protagonist insists on his love, so the earth is lit up, and the original grand science fiction film is melted by the delicate feelings of human beings.

The film shows not only personal qualities, but alsoCompassion and empathy of all mankind.

Through this movie, Xiao Yin wants to talk about comedy.

Throughout the comedies from the past to the present, Xiaogang Feng, Xú Zhēng, Stephen Chow and Shen Teng each represented a different stage of comedy.

Almost every out-of-the-loop work is not just a superficial form of happiness, but a "grounding gas".

The following small print will take you to take a look. What are the characteristics of those classic comedies?

How many level does comedy have?

In addition to Shen Teng, our common comedies also carry similar."nobody"Kernel.

From the opening of our comedy series in Xiaogang Feng to the stage performance of Stephen Chow, Xú Zhēng and Mahua FunAge series in 2015, the comedy career in China has shown explosive growth.

The comedies of Xiaogang Feng, Xú Zhēng, Stephen Chow and Shen Teng have obvious differences in terms of how to express the little people.

Xiaogang Feng’s comedies were born in the era of the rise of consumer culture, and literary and artistic works gradually moved away from the elite to the public.

As a "citizen director", Xiaogang Feng’s comedies are forever.From the perspective of civiliansTo pay attention to the joys and sorrows of ordinary people-the pursuit of dreams by grassroots, the perfection of family, and the tireless emphasis on "emotion."

Meanwhile, as a New Year film,happy endingIt is also essential.

Xú Zhēng’s comedy isMale midlife crisis theme+road comedy.

In his movies, we can see the helplessness of a middle-aged man pushed forward by years-how to choose between his career, family and himself.

You can also seeThe classic combination of "unlucky+fool"Thinking about life on the highway.

The tragic ending in Xú Zhēng’s films reveals the triviality of ordinary life and the distance between ideal and reality.

To say that the most obvious tragic color is the "cruel" Stephen Chow.

Stephen Chow’s comedies are nonsense, with a wild imagination of magical curiosity.

From A Chinese Odyssey Series to The Mermaid to A Demon Journey to the West, his "cruel comedy" containsThe elimination of violence, love failure and other elements.

The so-called "cruelty" refers to his understanding of the world in which we live.Inclined to a pessimistic attitude.

"comedy" means that he can use it.The cliche story of happy reunion and the hilarious hilarity.To wrap up these cruel ideas, or even directly treat the tragedy as a joke, so that the cruel edge is not so abrupt and hurtful.

Cruelty is also reflected in love.

If Xu Zheng loves to talk about "incomplete life", then Stephen Chow prefers to talk about it."Broken love".

A question often runs through his works:Does true love exist?

In A Chinese Odyssey, the Supreme Treasure can only save Zi Xia by wearing a golden hoop. This shows that in his view:Only by refusing love can you save your lover.

This is why, when I was young, I only thought the story of Master Xing was funny. When I grew up, I laughed and cried.

Shen Teng’s comedies also like to describe little people, but unlike other directors, the little people he created are often passively on the road of counterattack.

In the comedies of Xiaogang Feng, Xú Zhēng and Stephen Chow, the protagonist usually takes the initiative to change, or the protagonist’s fate should be like this.

And the biggest feature of Shen Teng’s comedy is thatSatisfy an illusion-Little people suddenly cross, or fly in a windfall. I may not have the money to travel abroad like in Xú Zhēng movies, but the movie fantasy in Shen Teng can.

Teng-style comedy prefers "high opening and low walking": the male host has the opportunity and ability to change himself from the outside from the beginning, but in the end almost all of them return to the initial point.

But this is not backward, but after "seeing things through"Return to the original.

Charlotte, for example, finally woke up and went back to Ma Dongmei. This is more acceptable emotionally than Xu Lai’s tears because spinach gave the key to the gallery, and it is also more in line with people’s expectations, which is also a big reason why Charlotte surpassed the embarrassing series.

Finally, in our Moon Man, the theme of Teng comedy seems to have returned."serious"

The significance of a serious theme lies inLet the audience return to reality and recognize themselves.

People are happy when good things come, but how many people can laugh it off when reality shows its cruelty?

Telling tragedy in comedy movies is to make people who are immersed in "daydreaming" wake up and realize:Reality is cruel enough to crush any dream.

After determining the theme, let’s take a look at how these four people tell stories.

Commonly used in early Xiaogang Feng.Continuous montage to support "slow comedy"The narrative is natural and smooth, simple and slow, to express the reunion theme of "I love my family".

Feng’s comedy is a combination of countless short pieces connected in series, and many events jointly construct unexpected jokes.

In "Be there or be square", Beijingers Liu Yuan and Li Qing met and fell in love in new york, and broke up several times in the middle. Coincidentally, every time something bad happened, but in the end, lovers finally got married.

Some interludes happened in the middle, which aroused the audience’s emotions and enhanced the sense of surprise. After watching the whole film, the audience will be as relaxed and happy as the hero and heroine.

Xiaogang Feng’s "sketch comedy" conveysOrdinary people’s infinite yearning for a better life.

From Xiaogang Feng to Xú Zhēng and then to Stephen Chow, the rhythm of comedy narrative has been stepped up step by step. The public began to have aesthetic fatigue on the main melody movies,Recreation and happinessMovies have become a big demand.

Xú Zhēng’s films inherited Feng’s comedies.The way of sketch collage and the general narrative of the game.

However, the difference between Xú Zhēng and Xiaogang Feng is that in Xiaogang Feng’s narrative, the plot is generally relaxed and happy, and the rhythm is slow, and there is basically no particularly fierce conflict.

Xú Zhēng’s narrative rhythm is tight, slow and full of flexibility.

Xú Zhēng’s "Embarrassment" series is the The Journey to the West-style "distress and problem solving" all the way through customs clearance.

In narrative, he also uses the narrative mode of cross narrative and multi-clue parallel compact stimulation.

One side is trying to persist, while the other side is trying to obstruct it. The hard-working party often persists repeatedly in embarrassment, relaxing like a spring, while the audience is overjoyed at the hero’s frustration and courage.

For example, in "Embarrassment in Thailand", Zaler Xu has been suppressing his contradictory feelings in the face of his wife’s divorce, the competitive pressure from his colleagues and the obstacles brought by "jinx" Wang Baoqiang.

However, Zaler Xu was not discouraged. Although every effort went up in smoke, he still suffered repeated defeats and wars.

Then to Shen Teng’s series of movies, they are sought after by everyone, because at present, we no longer have the energy to wait for a story to be full, but always expect to catch our eyes at the very beginning.

In his films, he often usesAn inverted narrative that goes back in time., will be some content, nature, scenery, movement way is similar to the lens group, resulting in.Cumulative effect of continuous superposition.

For example, when Charlotte plays "Those Flowers", the director highlights the characters’ personality characteristics through the lens of playing the piano throughout Qiu Ya, Montt stealing women’s clothes, watching cartoons in Da Chun, making public dancing at home, and Yuan Hua peeking at pornographic videos, showing the beauty and perishable youth.

Linguistically, Xiaogang Feng and Xú Zhēng belong to the same family.The language of the northern "sketch school" belongs to "ironic gray humor".

In "Party A and Party B", the plot of "boasting when you meet people in the street" created a surprise comedy effect with pure language.

In "Big shot", he satirized advertisers, real estate developers, etc. in a playful way, and described all kinds of hot money-making routines at the beginning of the 21st century.

His jokes are always full of life-like light. Take the present words: the protagonists in Feng’s comedies are everyone’s "mouth substitutes".

Stephen Chow, on the other hand, mostly uses Cantonese dialect and slang, and achieves absurd comedy effect through unconventional combination.

For example, it is absurd to put "Niu Mowang" and "God" together, which can’t be compared in the conventional context.

Shen Teng’s comic language is more like an extension of cross talk.This may have something to do with Mahua FunAge’s background as a stage play.

Anyone who has seen the cross talk of Deyun Society knows that there are usually multiple foreshadowing in the cross talk, but in Shen Teng’s comedy, there are fewer foreshadowing, and there may even be no foreshadowing, which directly "hits the nail on the head".

Obviously, a good comedy is not all the jokes piled up like Tik Tok. From theme to narrative to language, we should pay attention to everything.

What is a high-level comedy?

Is there a difference between high and low comedy?

One of the important conditions for judging whether comedy is advanced isWhether it has a successful characterization.

Shaping typical characters is the aim of all literature and art, and so is comedy.

Comedy image creation is roughly divided intoThree levelsThe first level is to "plot the characters"; The second level is to "personalize the characters"; The third level is to "psychize the characters". "Plotting of characters" is a low-level state.

The dramatization of characters can be found in early comedies. For example, Shakespeare, Song and Yuan Zaju and other classic people, this kind of drama is mainlyOnly the plot, not the personality.

For example, Meng Hua Lu, which was a fire some time ago, was adapted from Zhao Paner to save the wind and dust. And the role in Saving the Wind and Dust that can’t realize self-awakening and finally forgive everything is typical of being dominated by the plot.

When it comes to personality, the representative figures areMoliere, the father of classical comedy.For example, in "hypocrite", Titiufu disguised as a liar of the holy church and entered the rich merchant’s house.

Answer Diufu is cunning, treacherous and immoral, which makes people and gods angry. The profundity of characterization makes the protagonist a typical hypocrite.

The psychological works of characters often haveProfound social events and characters are typified and socially critical.And characters often need to confront another "strange self" in their hearts.

Such as money, feelings, dreams, etc., all the elements linked to the public.

Everyone has a person in his heart who he wants to be, but under the gravity of reality,We have to fight against our own desires.

In addition, a new "appreciation of ugliness" is also the only way for comedy to go deep.

On the one hand, comedy should retain direct banter pleasure; On the other hand, comedy should make people laugh and think at the same time.This is "judging ugliness".

From punishing ugliness and mocking ugliness in the past, it turned to exhibition ugliness.Ugliness is no longer regarded as a pure "negative", but through ugliness, we can tell the audience that we were all clowns?

That is to say, toThere are ugliness in beauty and sadness in joy.

For example, in Chaplin’s Mr. Verdu, a murderer killed several women in succession, but his real purpose was to save his seriously ill wife.

Chaplin passed"both good and evil" has achieved "beauty and ugliness are extinct"The artistic situation makes people see more profound social problems from simple cases, which is the highest realm of art.

Those who think that there is no difference between high and low comedy often think that "the audience is inconsistent" and "everyone has different aesthetic preferences".

However, it is obviously biased to determine the quality of a work through the audience.

A good work should contain a profound and eternal theme, and vulgar jokes are doomed to be abandoned.

The so-called "profound thought" is not to teach people how to cram, but to arouse the dialectical thinking of the audience.

Otherwise, the comedy will be stale.

references

[1] Cao Yang. Research on Mainland Comedy Films in the Context of Consumer Culture (1990-2019)[D]. Nanjing Normal University, 2020.

[2] Liu Zhendong. On Xiaogang Feng’s comedy films [D]. Hebei University, 2007.

[3] Sun Xiaoyu. Xiaogang Feng comedy film research [D]. Guangxi Normal University, 2015.

[4] Jay Song. Xiaogang Feng film irony art research [D]. Sichuan Academy of Social Sciences, 2015.

[5] Song Ke. Digestion and construction in humor —— On the artistic features of Xiaogang Feng’s citizen comedies [J]. yichun university Journal, 2017,39(07):101-104.

[6] Alina Zhang. Xiaogang Feng urban comedy movies: another successful example of mainstream movies [D]. Shanghai Normal University, 2010.

[7] Meng Xianglong. A Study on Narrative Characteristics of Films Directed by Xú Zhēng [D]. Hebei Normal University, 2017.

[8] Peng Xiaolu. Style characteristics of Xú Zhēng’s comedy films [J]. Film Literature, 2017(02):74-76.

[9] Dai Chong. Laughter-making mechanism, imaginative treatment of male anxiety-observing the three dimensions of the new generation of comedy films in China since the 21st century [J]. Film Review, 2020(19):77-81.

[10] Tong Wang Stephen Chow’s "Wulitou" film’s aesthetic implication of "nothing" [J]. Beauty and the Times (below), 2021(03):118-123.

[11] Chen Qijia, Chen Xiaoke. On Stephen Chow’s cruel comedy [J]. Contemporary Film, 2016(12):107-112.

[12] Wei Tianwu. A new exploration of film comedy-A further discussion on Stephen Chow and film comedy [J]. Literary contention, 2010(14):31-34.

[13] Li Mingyue. "Mahua FunAge" comedy film narrative strategy analysis [D]. Huazhong Normal University, 2018.

[14] Cheng Lianjia. Research on "Mahua FunAge Comedy Movies" [D]. Southwest University, 2020.

[15] Xi Rui. Does comedy make sense [J]. Middle School Students’ World (A Edition), 2022(05):18-21.

　　

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The car series Blue Electric E5 shows elegant body proportions with its exquisite side design. The body size is 4760mm*1865mm*1710mm and the wheelbase reaches 2785mm, achieving a comfortable and spacious interior space. The front and rear wheelbases are 1585mm and 1580mm respectively, further optimizing the driving stability. The tire size is 225/55 R18, which matches the dynamic wheel design, which not only guarantees the driving performance, but also adds the stylish atmosphere of the vehicle.

In terms of interior, the Blue Electric E5 shows the perfect fusion of refinement and technology. In the spacious cockpit, the steering wheel is made of high-quality leather materials, which not only provides a comfortable grip, but also enhances the overall interior quality. The 12.3-inch central control screen stands in front, and the clear touch interface supports multimedia, navigation, telephone and other functions, making the driving process more convenient. In terms of seats, imitation leather materials are used. The main and passenger seats support front and rear, backrest and high and low adjustment to ensure the comfort of passengers. In addition, the front seats are also equipped with USB ports to meet the daily charging needs of passengers. The overall interior design focuses on the balance of practicality and luxury, bringing a pleasant driving experience to the owner.

The 1.5L 110 horsepower L4 engine on the Blue Electric E5 provides a powerful power output for the vehicle, with a maximum power of 81 kW, and its torque performance is also quite excellent, reaching 135 Nm. With the E-CVT continuously variable transmission, it ensures a smooth driving experience and high-efficiency energy conversion.

After summarizing the owner’s insights, the exterior design of the Blue Electric E5 shows a sense of atmosphere and power, but it seems to be slightly mediocre. Owners hope to see more technological elements in future models. Nonetheless, for those who pursue practicality and durability, it is still a solid choice. Overall, the Blue Electric E5 has won the recognition of its stable image from owners with its balanced exterior design.

　 　 　 This website reported on July 29　 In the current era of rapid development of intelligent new energy vehicles, Changan Automobile and its high-end brand Avita go hand in hand, constantly writing a new chapter of pleasant travel. Zhu Huarong, chairperson of Changan Automobile, once emphasized: "Changan strategy must comply with the requirements of national industrial policies, and must be a company responsible to users." This concept has been fully reflected in the development process of Avita, whether it is product upgrading and iteration, or comprehensive optimization of services, showing the attitude of extreme responsibility to users.

Recently, Avita 07, the third model of Avita Technology, successfully debuted in MIIT’s "Road Motor Vehicle Manufacturers and Products" (Batch 383) catalog, marking the imminent entry of this highly anticipated new car into the market. It is reported that Avita 07 not only inherits the luxury and technological sense of the Avita brand, but also achieves a new breakthrough in the power system, becoming the first model under Avita equipped with extended range power mode. Whether it is plug-in extended range hybrid or pure electric, Avita 07 provides users with a variety of power options to meet the travel needs of different consumers.

The launch of Avita 07 is the profound insight and positive response of Changan Automobile and Avita Technology to the future trend of intelligent travel. In the current automotive market, intelligence and electrification have become irreversible trends, and Changan Automobile and Avita Technology are the leaders of this trend. Through continuous technological innovation and product upgrades, Changan Automobile and Avita Technology are committed to bringing consumers a more intelligent, convenient and environmentally friendly travel experience.

In terms of service, Avita Technology also spares no effort. In order to further enhance the user’s car experience, Avita Technology not only continues to up the ante service resources, but also has more than 160 authorized service stores by the end of this year. It has also comprehensively upgraded the customer service butler team to achieve efficient services such as quick response within 20 seconds of incoming inquiries and arrival within 45 minutes of road assistance. In addition, Avita Technology will also launch more service processes and vehicle information in the third quarter, adding services such as scooters and door-to-door pickup and delivery to meet the diverse service needs of users.

At the same time, Avita’s boutique mall services are also being continuously upgraded. It is expected that 200 + new products will be launched this year, covering a variety of series such as car peripherals, 3C technology, home daily, art trend play, outdoor camping, etc. The launch of these new products not only enriches users’ shopping choices, but also reflects Avita’s attention and pursuit of users’ quality of life.

It is believed that in the future development, Changan Automobile will continue to play its leading role in the automotive industry and promote the continuous innovation and development of brands such as Avita Technology. Avita will also adhere to the brand concept of "pleasing oneself" and continue to bring users high-quality intelligent electric travel experience.

As the richest man in China, Wang Jianlin has been criticized by the majority of netizens. There are various speculations on the Internet about who Wang Jianlin is? Who is Wang Jianlin’s husband-in-law? What is the family background of Wang Jianlin’s wife, Lin Ning? As the richest man, Wang Jianlin is under extraordinary pressure in China. The following July website will bring you the story behind Wang Jianlin, who is wearing the halo of China’s richest man.

Whose son-in-law is Wang Jianlin?

Wang Jianlin is a very famous figure. His efficiency in making money is comparable to that of us commoners. Many people can’t buy a small house in Beijing with the money they earn in their lifetime, and Wang Jianlin only needs one. The difference goes without saying, everyone, come on. We can only say that we really don’t understand the life of rich people. He also has a famous son named Wang Sicong, who is known as one of the four young masters of the capital.

Wang Jianlin’s wife Lin Ning’s family background

Wang Jianlin’s wife’s surname is Lin, and her name is Lin Ning. Now she is the chairperson of Lin’s Investment Group. We don’t know Lin Ning’s family background, but her own wealth should not be underestimated. Lin Ning’s Investment Group, which is the chairperson of Lin Ning, has a deep relationship with Wanda Group. It was established in March 1994. It is a diversified group company integrating three business formats: building decoration and decoration industry, catering and entertainment industry, and foreign economic and trade industry. It is a partner and strategic partner of Wanda Group in the commercial square project. It owns Tiantai Decoration, big singer chain KTV, Tongda Economic and Trade, Oulante Club and other enterprises.

From the introduction of Lin’s Investment Group, it can be seen that Lin Ning’s company and Wang Jianlin’s Wanda Group can be said to be in different positions of the same industrial chain, which is very beneficial for the cooperation between the two parties. It feels like a husband and wife file, but this husband and wife file is not ordinary big. In addition, Lin Ning and Wang Jianlin work in the same building, and the entire office of Lin’s Investment Group is located on the 26th floor of Wanda Tower.

1905 movie network news　Lin Chaoxian, known for his 200% seriousness and rigor, today released a group of photos of Peng Yuyan’s special training for the new film. In the photo, Peng Yuyan is wearing a big vest and running on the beach to practice Frisbee. Lin Chaoxian also wrote: "Sunshine, beach, training, which one do you choose?"

High-intensity, high-density multi-skill training, Peng Yuyan shows steel will for the new film

Previously, the director revealed in an interview that the movie "Emergency Rescue" is a movie about maritime rescue operations, and the actors need to have a complete grasp of water rescue skills while interpreting the characters’ characters. Therefore, before the movie officially started, all the actors, including Peng Yuyan, underwent devil-style high-intensity intensive training, which covered diving, night rescue training and many other essential skills for rescue teams.

From the photos posted this time, in addition to the necessary physical training, Peng Yuyan was also exposed to both confrontational and flexible training methods such as Frisbee sports, and the intensity of the training can be imagined. And Peng Yuyan, whose hand was accidentally scratched by the Frisbee before, also showed his "desperate Saburo" work attitude in the photos, and his condition was very good.

As we all know, director Lin Chaoxian, who is known as the "Exploding Forest", is very good at exploring the potential and explosive power of actors to the extreme. For the four collaborations with director Lin Chaoxian, Eddie also expressed his feelings of anticipation and nervousness in the interview: "Those are very difficult, but very enjoyable. I hope this collaboration can improve and make the director more enjoyable."

The lineup behind the scenes has been upgraded across the board, and Lin Chaoxian’s new work is highly anticipated

As China’s first maritime rescue and salvage film, "Emergency Rescue" is scheduled to start filming in mid-November this year. The main creators behind the film have gathered many top international production teams. Since then, director Lin Chaoxian has been familiar with realistic themes, but he admits that "Emergency Rescue" will be a new breakthrough, a new challenge, and a new beginning for himself. But I believe that the presentation of "Emergency Rescue" will be more shocking than "Operation Red Sea", and the effect will be doubled. I hope to make another theme that has not been seen in Chinese movies.

For Peng Yuyan, who has worked many times in "Breaking Wind" and "Operation Mekong River", director Lin Chaoxian also gave a high evaluation: "Peng Yuyan is very hard-working and dedicated, with super self-control, and is an actor who has the courage to constantly challenge his limits. I hope this time I will present you a different Peng Yuyan."

The first poster of "Riding the Wind and Waves"

"Riding the Wind and Waves" poster

1905 movie network news Recently, the second film directed by Han Han launched the first poster. In the picture, the four brothers Deng Chao, Peng Yuyan, Dong Zijian and Gao Huayang smiled brightly and walked side by side. The poster colors were warmer and brighter than those of their debut novels. Under the sun, the four smiles were pure and bright, and a strong brotherhood came to them. Coupled with the sentence "Today I try to be side by side with you again", the message conveyed by the poster is even more meaningful.

The sun is shining brightly, brothers side by side, without pretending to be chic and natural

With the release of this version of the poster, the characters that fans have been waiting for in the film are finally revealed. Deng Chao wears a green jacket with a pink T-shirt backing, and smiles brightly; Peng Yuyan casually wears a denim shirt over his dark vest, and his medium hairstyle cannot hide his handsomeness. Dong Zijian wears a green sweatshirt and black-rimmed glasses, with a pure face. Gao Huayang wears a printed shirt, and his whole body is full of carefree and carefree energy. The actors in the poster are simple and natural, but they interpret a touching simplicity and truth. Perhaps in the eyes of director Han Han, this "simple but not simple" style is what he understands as a chic "fashion".

This version of the poster of "Riding the Wind and Breaking the Waves" was released by Han Han through his personal Weibo, and once it was exposed, it set off a heated discussion among netizens. Users have expressed that after watching Han Han for so long, they still "think Han Shao is too simple". It seems that the main content of the movie "Riding the Wind and Breaking the Waves" is not as simple as the brotherhood of the four.

　

The type of plot is a mystery, and the golden lineup is full of vitality

The cast of the movie "Riding the Waves" has been announced not long ago, but so far no information such as the film’s genre and plot has been revealed. Led by Deng Chao, Peng Yuyan, and Zhao Liying, with stars such as Dong Zijian, Jin Shijie, Professor Yi Xiaoxing, and Li Ronghao carrying knives, Han Han can be said to have assembled the strongest mix and match lineup. The release of this version of the poster undoubtedly revealed that Deng Chao, Peng Yuyan, Dong Zijian, and Gao Huayang will play good brothers in the film, and the friendship between the four of them is very deep. The four brothers walk happily together without a beautiful woman, which makes people wonder where the heroine Zhao Liying has gone and what kind of connection with these male gods.

According to the film, the poster was shot by director Han Han himself. In the poster, the four brothers Deng Chao, Peng Yuyan, Dong Zijian and Gao Huayang seem to have just completed a feat, and the brothers are in high spirits side by side. Han Han activated the wonderful chemistry between the actors in his own unique way, so he "accidentally" got this bright and warm photo. Although the film’s genre and story of "Riding the Wind and Waves" are kept secret, the film’s neat cast and enthusiastic work state are enough to make people look forward to it. Led by Deng Chao and Peng Yuyan, the actors and staff interacted frequently. Not long ago, Deng Chao personally roasted mutton skewers for everyone in the crew, showing professional barbecue techniques while not forgetting to amuse everyone: "Eat Brother Chao’s mutton skewers, and you will be guaranteed to live forever."

At present, "Riding the Wind and Waves" is still being filmed. According to the Reuters information on the Internet, the film incorporates elements such as racing, adventure, brothers, and blood. And the first poster also makes us feel a strong warm atmosphere. The sentence on the poster, "Today I try to be side by side with you again," can’t help but make people curious about the story of the four brothers. As a super-popular writer with deep skills, Han Han has no doubt about his control of the story and script. And the success of "Future" also makes him more confident in filmmaking. With a super-strong lineup full of magic and the hard work of director Han Han, "Riding the Wind and Waves" will bring unlimited excitement to fans.

"Riding the Waves" is expected to be released in 2017.

At the end of last month, Hu Ge’s frequency of "going crazy" was a bit high, causing many fans to worry about his mental state.

I don’t know if it is due to changes in celestial phenomena or endocrine disorders. First, on August 21, I posted a tweet on Weibo, saying that I would retire from the circle for 5 years to pursue poetry and distance, which caused panic among fans.

Of course, Hu Ge had always had the habit of "going crazy" occasionally, which was understandable. However, just a few days later, Old Hu had another brace. On the night of the 29th, he posted a sloppy selfie on Weibo. This time, the caption was more sincere, calling himself sorry for many people, and also saying that he hoped to "be worthy of this short life".

It had to be said that for a person who had been handsome by him for almost 20 years, it was indeed a little psychological balance, but looking at what he wrote about "try to stay calm" and "short life", it was very worrying. It seemed that this time the matter was not small. Is Hu Ge really going to make some amazing decisions?

But soon, fans and friends refuted the rumors, probably because there was too much pressure to promote the new movie recently, and on the 29th 17 years ago, it was the day Hu Ge was in a car accident. In that car accident, he lost his assistant and friend Zhang Mian, so every day, it is inevitable that his thoughts will surge.

There was probably no problem with such a statement, but after all these years, how could Hu Ge be a star who was controlled by his fans? If he said he wanted to withdraw from the circle, he might actually withdraw. If this happened, I believe there would be countless fans in chaos.

#01

Hero Li Xiaoyao

– What?

As an actor, Hu Ge has always been very good at it. He is a person born for the camera.

When he was in middle school, Hu Ge became a famous local "advertising prince" because of his outstanding appearance.

When he arrived at university, Hu Ge, who was in his freshman year, was called by a friend to interview with a director. At that time, the friend was dubbing a TV series invested by Tangren Film and Television, which won him the opportunity. After meeting Hu Ge, the director soon introduced him to Tangren Film and Television.

In the millennium, Tang Dynasty Film and Television became very popular, and the popular TV series such as "Peerless Double Pride" and "Legend of Heaven and Earth Lotus Lantern" were all written by it. This paved a "shortcut" for Hu Ge to become famous at a young age. Of course, Hu Ge and Tang Dynasty were definitely "mutual achievements".

In 2004, Hu Ge starred in the first TV drama "Dandelion" without a big hit. It wasn’t that Hu Ge couldn’t do it, mainly because in 2004, it happened to be a "big year of idol dramas". At that time, there were big theatrical fires like "Meteor Garden", "Mischief Kiss" and "Midnight Sunshine". Hu Ge was indeed handsome, but surrounded by a lot of fresh meat, it was not difficult to stand out in one go.

Since the idol drama can’t be played, Tangren Film and Television quickly gave Hu Ge another resource. If the fashion doesn’t work, let’s turn to ancient costumes.

But for Hu Ge’s ancient costumes, many people are not optimistic about it. At that time, Hu Ge’s agent took him to a crew to try on the costumes. Hu Ge originally felt that there was little hope, but he did not expect that after arriving at the scene, he tried on a set of ancient costumes.

The boss’s name was Yao Zhuangxian – the father of "Immortal Sword". Many people knew the story behind, and Hu Ge was selected as Li Xiaoyao’s candidate. It was said that when Hu Ge knew that he was going to get the role, he was not excited, but nervous. Afraid of messing up and failing, after all, the people around him had always instilled in him the idea that "you are not suitable for ancient costumes".

However, it turned out that such worries were unnecessary. As soon as "Legend of Immortals and Swords" was broadcast, Hu Ge’s "Brother Xiaoyao" instantly became the youth of a generation.

I still remember chatting about QQ with my puppy love in elementary school, and the other party specially asked me to set my nickname to "Brother Xiaoyao". (Of course, she is "Sister Ling’er") In the group chat in the class, if you don’t know who the hero Li Xiaoyao is, you will definitely call it "Earth Cannon". (We mean bumpkin there)

On the contrary, if you had a stack of Li Xiaoyao’s Immortal Sword stickers, your friends would shine and come over to chat with you. It is said that after the drama came out back then, many people called Hu Ge Li Xiaoyao instead of Hu Ge, and some people didn’t know Hu Ge was called Hu Ge at all, but only Li Xiaoyao.

Later, there was a famous saying called "No Hu Ge, No Immortal Sword".

Hu Ge also instantly became popular all over the country, and the film flew like snowflakes.

He described it as "meeting the right character at the right time." Every time he interviewed, he would feel lucky. Tang people also saw the value of Hu Ge at this moment, and with the successful experience, the next step was to re-enact, so during this time, Hu Ge’s role had two major characteristics –

One is a bit "silly", such as Ning Caichen in "Liaozhai", in the face of Yang Mi’s Nie Xiaoqian’s teasing, just a sentence "You don’t have to do this, I have no idea", always unmoved, clean, and finally moved Nie Xiaoqian enough;

One was quite "Sa". The representative of this kind of character was Yang Liulang in "Young Yang Family General". After a group of fathers and brothers went to the golden beach and died in battle, he resolutely picked up the silver gun of the old Linggong, and the seven sons went to the six sons to return, continuing to write the story of the Yang family general.

Of course, sometimes these two characteristics will be combined. The typical character is Guo Jing in the 08 version of "Archery", who is paired with Ariel Lin. Although he is naive and silly, he can defeat Ouyang Ke to win the hearts of beauties, and finally become a famous generation of heroes.

Many years ago, a Tieba user commented that Hu Ge’s face looked like a handsome young man, but his eyes often revealed an unparalleled tenacity, which was the most suitable for playing some young heroes.

The scenes arranged by the Tang people for Hu Ge were also very similar. At first, they were naive and romantic, and they didn’t understand anything. After some opportunities and adventures, they understood their mission and responsibility, and resolutely took up their responsibilities. All of them were growth stories.

Of course, this kind of character audience looks enjoyable, and it has a good reading experience. Who doesn’t care to watch handsome men fight monsters and upgrade.

However, over time, the characters played by Hu Ge have a tendency to homogenize, and because the role of "Li Xiaoyao" is too deeply rooted in the hearts of the people, no matter who plays it, the audience feels that Hu Ge has the shadow of Li Xiaoyao. When he played "Young General Yang", my sister asked me directly after watching it, how did Li Xiaoyao switch to using a gun.

Such a situation gave Hu Ge a sense of crisis. It happened that at this time, he encountered a serious car accident.

#02

Not by face, by acting

– What?

How tragic was Hu Ge’s car accident? It was said that when it happened, Old Hu was sleeping in the back seat of the car. When he woke up, he was already sitting on the ground, and his mind was blank.

So when the police came to ask him if he could walk by himself, he had to move in the direction of the ambulance while supporting his injured leg. At that time, he thought that if he got close to the ambulance, there would be hope.

Later, when he arrived at the hospital, the doctor gave him more than 100 stitches. During his recovery, Old Hu learned that his assistant and friend Zhang Mian had passed away. Zhang Mian was very tired when he saw Hu Ge, and the last thing he said to Hu Ge was "Change your seat, sit in the back, and have a good sleep."

When Yuan Hong came to see him, he was startled. When he first got injured, he asked the people around him for a mirror, but no one was willing to give it to him. Later, Hu Ge’s luck was good, and his face recovered after surgery, allowing him to go back to work. However, the impact of this car accident was quite serious. Since then, Hu Ge’s ancient costume has always worn bangs to cover the scars on his eyes, which is said to have been written into the contract.

When filming "Condor Shooting", most of the time was spent on patching and polishing his face, looking for the intact left face. Things that were originally smooth suddenly became very troublesome, and then some little girls began to sigh, saying that the brother Xiaoyao was taken away by a car accident and would never come back. This kind of pressure has been slowly accumulating invisibly until the moment of finishing, Hu Ge completely collapsed, everyone was celebrating, and he ran away from the set.

This car accident should be said to have deepened Hu Ge’s desire to "seek change". Under the premise of being moved by his heart, God gave him a special boost. Now he doesn’t want to hone his acting skills or seek a breakthrough, and when will he wait. Later, "Southern Zhou" published a manuscript about Hu Ge, which was called – "I used to rely on face, but now I have to rely on strength". Hu Ge’s career can use this car accident as a watershed.

After finishing the three costume dramas of "Myth", "Xuanyuan Sword" and "Xianjian III", Lao Hu began to "take an unconventional path". He began to take on some period dramas, such as "Shangri-La", "Revolution of 1911" and "The Pretender". Since they all feel that my acting in costume is homogeneous, I will order something else.

The most familiar of these three plays may be "The Pretender". The role of Mingtai played by Lao Hu in it is quite contradictory and torn. Many people have raised their throats when watching this play.

At the same time, he also started to try fashion dramas again, typically "Good Times" and "Hunting Ground", and also made a cameo appearance in "Love Apartment" as a cheap scum. It can be seen that Lao Hu is really trying to broaden the scene and want to give the audience something different. But fashion dramas may really be one of his lifeblood. Every time Hu Ge performs fashion dramas, he always causes a lot of complaints. For example, "Hunting Ground" was scolded a lot in the past, and now Douban has a 5.6 score, barely passing.

If you still play ancient costumes, you have to distinguish it from the past.

When "Langya Ranking" found Hu Ge, he refused. Now he has an instinctive rejection of ancient costumes, but the fans did not give up and tried their best to send the original to Hu Ge. After reading Hu Ge, he realized that Mei Changsu was not like Li Xiaoyao, but more like himself. After going through teenage success, suddenly encountering disaster, he fell to the dust and then returned.

For Hu Ge, this role can only be described in four words – it is natural. It has a sense of brokenness, bears the hatred of the family and the country, hides itself, gives up everything, is patient and tenacious. After playing this role, Lao Hu won four awards in a row: National Drama Festival, Huading, Magnolia and Golden Eagle.

Everything seemed good, but was Hu Ge’s transformation complete?

#03

Hu Ge is very "difficult"

– What?

The answer to this question is debatable.

Although after 2006, Lao Hu has contributed many outstanding characters, here I borrow a comment from a certain movie number, that is – "Hu Ge’s character recognition is actually not clear in recent years." The contrast between these characters he created is always a little bit worse.

What is the "sense of contrast" of a character, take a very typical example – Zhang Yi.

You can compare An Xin in "Hurricane" with Lu Wenzhao in "Embroidery Spring Knife 2". The same character played by Zhang Yi gives people a very different impression. An Xin is tough and sincere and a little weak, while Lu Wenzhao is sinister and cunning and very smooth, but these two characters are played by the same person, and the two temperaments presented have the contrast of ice and fire.

This huge sense of contrast, this distinct character recognition, is actually what Hu Ge has been pursuing. (This can’t be achieved by changing fashion styles)

However, until now, Hu Ge still lacked this.

Over the years, no matter what role Hu Ge played, it was impossible for everyone to "forget Hu Ge and only immerse themselves in the role." The reason for this phenomenon is not only the stereotype of Li Xiaoyao and some of Hu Ge’s early works, but also Hu Ge himself.

On the one hand, Hu Ge’s handsome face is so right that it affects his character shaping; on the other hand, it is Hu Ge’s character. When many people think of Hu Ge, the first thing they think of is humility, elegance, not at all flamboyant, and a very nice person. His 2016 acceptance speech is still called "textbook speech" –

"I didn’t get this award because of how good my acting was. I think it was because I was lucky. I probably knew earlier than more people what an actor should be like."

The formation of this personality is inseparable from Hu Ge’s tutoring. As a child, Hu Ge’s mother was very strict with his requirements. Lao Hu described his childhood as "I will always live under my mother’s gaze."

Hu Ge’s mother was originally a teacher, but when she retired at home due to illness, she focused all her attention on educating Hu Ge. Hu Ge had long planned for his life: to become a doctor or a lawyer, detailed in every step. And the first thing to do is to do well in school. Once, he was beaten up because he didn’t get an 80 score.

This kind of harsh growing environment made Hu Ge accustomed to obedience from an early age. Including the actors he became an adult, it was also the result of obedience.

At that time, Hu Ge’s parents felt that he was too introverted, so they signed him up for the "Little Radiant Star Art Troupe" for more exercise. Hu Ge obediently took the exam, and after the results came out, he stood out from the 30,000 and became a child star. One after another, he was asked to participate in advertising, hosting programs, participating in readings, choruses and plays. But in fact, in the memory of the teachers of the troupe, he has been in the back row.

This kind of growth experience made Hu Ge know how to smooth his own edges and corners, accustomed to suppressing those inappropriate personalities, so he became gentle and humble, which is an advantage in dealing with people, but not in artistic performance. It led to many of Hu Ge’s characters giving people the feeling of "more than elegant, but not enough energy."

Take his performance of "County Party Committee Courtyard" in 2022 as an example. During the visit, Mei Xiaoge, the county party secretary played by Hu Ge, drank a bowl of mutton soup and learned that there were arbitrary charges by the urban management, and then named and criticized the relevant departments at the conference. When hearing the boss say that there are arbitrary charges in the local area, Hu Ge’s expression is like this –

Hands on the waist, thoughtful, with a little doubt in his eyes. After that, at the meeting, he opened fire and trained the relevant responsible parties one by one.

You can’t say there is a problem with such a performance, but there is no harm without comparison. In "In the Name of the People", there happens to be a similar scene, that is, Li Dakang, played by Wu Gang, learned from his sister Xingzhi that the window of the Guangming District Petition Office was too short, which caused the people to stand or sit, and suffered a great crime. When he heard this, Wu Gang’s expression was like this –

He stopped eating, and his eyes were full of doubts and guilt. After being stunned for a long time, he said, "If this is true, see how I deal with them." Li Dakang’s sense of responsibility and personality were all outlined in one action.

This is the character’s "strength". Once you lack strength, it will be difficult to highlight the character’s recognition and personality. It is like blowing up a balloon. You have to inflate the balloon to know what it looks like and how high it can fly.

Many of Hu Ge’s characters had this problem, but many of them had exciting settings. For example, Mingtai and Mei Changsu, these characters had personal entanglements, family feelings, and some personality contradictions. You didn’t have to "blow" them to the full, and they were just as outstanding.

Like the play "County Party Committee Courtyard", the feeling that Hu Ge, Mei Xiaoge, gives people can only be said to be just passable.

This was probably the dilemma that Hu Ge was currently facing. For a person like him who had a strong sense of morality and didn’t like to disappoint, his failure to break through this level might be one of the reasons why he felt "sorry for many people".

At the same time, a group of actors from the same period as him also entered a new realm of acting. Take Wang Kai as an example. When they worked together on "Langya Ranking", Wang Kai was shocked by Hu Ge. Old Hu was surprised and said that Wang Kai was still playing a sissy in "Ugly Girl Invincible" a few years ago.

In short, judging from Old Hu’s crazy behavior of making ugly photos, and the fact that he had been a volunteer all these years and was clamoring to quit the entertainment industry, what was actually hidden behind it was that Old Hu wanted to be different from the past. This was his practice.

However, it is obviously not easy to give people a refreshing feeling. Take Wang Chuanjun, who recently starred in "All-in-One".

When he realized that he couldn’t stay stuck in the role of "Miracle of Sekiya", he decided to stay away from "Love Apartment", refused to participate in the big movie and the fifth season, broke with the crew, and didn’t care about the expectations of fans. At the same time, he was unemployed for nearly a year, had no filming, and had no income. At that time, his mother was suffering from cancer, and the hospitalization and treatment expenses were very expensive. He had to pay the mortgage.

Daring to break with the past and being able to endure it is not enough. If you want to make a successful transformation, you have to be lucky enough. At that time, Wang Chuanjun, who came back to film, happened to participate in the film directed by Wen Muye – "I am not the God of Medicine", in which he played the patient Lu Benefit.

Wang Chuanjun seized the opportunity and performed quite brilliantly. With the blessing of such a film, Wang Chuanjun came out again and bid farewell to "Guan Gu Magical" completely.

The weather, the location, the people, and their own efforts and pursuits are all indispensable.

Is this difficult? Very difficult.

Hu Ge’s transformation would be no less difficult than Wang Chuanjun’s, so his breakdown, madness, and anxiety were understandable to a certain extent. He needed to vent and adjust. If such a "madness" could help Old Hu open the two veins of Ren Du and break through the "ninth form of the Tathagata Divine Palm", then I just want to say –

Old Hu, as crazy as you are, it’s alright.

After the madness is over, it is good to be able to produce good works.

Original title: "Hu Ge announces that he doesn’t want to film in the next five years," and the latest response is confusing. "

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　　Content navigation:

　　Speaking of LeTV, the news is full of negative news, such as dragging suppliers’ payment, taking away Yidao funds and directly GG, etc. We will not talk about these laces for the time being. As far as mobile power products are concerned, LeTV used to be the industry benchmark.

　　The price is slightly lower. LeUPB-211D and LeUPB503T with 18650 batteries, and LeUPB501T and LeUPB502T with "noble" crystal clear shell light and thin soft pack batteries each have their own characteristics.

　　In April, LeTV Mall launched a brand-new mobile power supply named M1, which also uses soft-pack batteries to take a light and thin route, but the price is higher than the previous noble 199 yuan, and the price of M1 directly fell below 100 yuan. Could it be that another explosion was born?

　　First, unpacking

　　Back information parameters, product name: LeTV two-way fast charging mobile power supply 10000mAh M1 white, product model: LeUPB-301N, battery capacity: 10000/10200mAh 38/38.76 Wh (minimum/standard value), rated output capacity: 6500mAh (5V2A down), input parameters: 5V2A/9V2A/12V1.5A (maximum value), output parameters: 5V2A/9V2A/12V1.5A (maximum value), manufacturer: LeTV Zhixin Electronic Technology (Tianjin) Co., Ltd.

　　As can be seen on the delivery list, the price of the M1 is 99 yuan. Compared with the previous two light and thin mobile power supplies 179/199, the price of the M1 is 99 yuan.

　　If you tilt the angle slightly, you can see that 4 LED power indicators are placed on the lacquered surface of the upper shell, and the lower part is matte and matte (not skin-like).

　　Flat shape frame is very smooth similar to cobblestone, back brand parameters are as follows, product name: LeTV two-way fast charging mobile power M1 10000mAh 3.8V, product model: LeUPB-301N, battery capacity: 10000/10200mAh 38/38.76 Wh (minimum/standard value), input parameters: 5V2A/9V2A/12V1.5A (maximum value), output parameters: 5V2A/9V2A/12V1.5A (maximum value), rated output capacity: 6500mAh (5V2A out), manufacturer: LeTV Zhixin Electronic Technology (Tianjin) Co., Ltd.

　　LeTV M1 has a conventional Type-A output port that supports QC fast charging on the interface layout. The input is MicroUSB + Type-C dual input collocation, taking into account the user requests of old and new devices.

　　Previous page 123 Next page

　　　　　　　　　　　　Content navigation:

　　Disassembly

　　After the smooth head cover is inserted into the shell, it is fastened by several clips. There are 2 upper and lower edges, a total of 6 clips. The fastening force is very tight and fits well.

　　Separating the shell, the upper and lower shells are assembled with excellent integrity, and the edges are completely free of staggered layers. The editor even thought it was a whole before opening it.

The shell material is PC + ABS engineering plastic alloy, which has very good impact resistance, toughness and plasticity.

　　This picture shows the shell structure. The shell contact is divided into two inner and outer layers. The clip is located on the inner layer, so it cannot be removed completely. The battery and the shell retain a large buffer space to resist the impact.

USB high-speed switch of sgmicro.

　　The one on the left is a single-chip microcomputer, the two red ones fastened by glue below are the NTC temperature probe outlet, and the XB8089G silk screen on the right is a Saixin micro-lithium battery protection chip, integrated with a 17mΩ power tube, which can withstand a maximum of 9A current. It has multiple protection functions such as overcharge protection, overdischarge protection, overheat protection, short circuit, and overcurrent protection, which is equivalent to the common DW01 + 8205 * N.

　　LeTV M1 uses the recently hot British chip integration solution, British chip IP5318 is a mobile power SOC with input and output fast charging function, integrated Type-c protocol supports single port input and output, integrated QC2.0/3.0 fast charging identification protocol, support DCPbc1.2 Apple Samsung identification protocol, built-in lithium battery charging management, battery power indication, battery charging current up to 4.8A, boost discharge power up to 18W, synchronous boost buck multi-function integrated power solution IC.

The brand of the socket parts is unknown, all of them are through-hole welding, which is more durable and has a good sense of insertion and unplugging.　　　　　　　　　　　　

　　　　　　　　　　　　Content navigation:

　　III. Performance

　　Use the charging head network Feilong USB ammeter with electronic load monitoring LeTV M1 output, conventional 5V maximum output performance: 4.93V2.4A@11.8W.

　　IV. Summary

　　LeTV M1 two-way fast charging mobile power supply is made of ABS + PC material to create a round pebble shape, and the solid-color shell is composed of glossy and matte surfaces respectively.

　　In terms of interface, M1 uses conventional Type-A as the output port, and the input is equipped with Type-C + MicroUSB dual input interface, which better takes care of old and new user requests.

　　The program selected this year’s hot British Chip IP5318 high-integration integrated SOC, and the measured input 18W output 20W performance reached the mainstream level of the same level.

　　As LeTV’s first cost-effective portable polymer mobile power supply, the previous two fast charging polymers cost close to 200 yuan, while the M1 was equipped with a two-way fast charging dual input interface at a price of 99 yuan, so that consumers would no longer feel out of reach, and the purchase intention would also increase significantly.